Jacqueline Du Pre -《大提琴协奏曲 埃尔加,戴流士》(Elgar: Cello Concerto,Sea Pictures)2 [SACD-r]
Posted by Anonymous Sunday,8 June 2014 22:38:00
地区: 美国
简介: 
专辑介绍:
EMI CLASSICS 首度发行Super Audio CD (SACD)
SIGNATURE COLLECTION
由四位Abbey Road录音室的工程师担任母带重制的工作,将EMI原始的历史录音母带从原本类比的母源重制为Hybrid SACD。这四位工程师分别是Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay,他们在EMI及其他厂牌拥有多年丰富的母带重制经验。
这些经典专辑是第一次被新制作为高音质规格的产品,提供欣赏者更清晰与细节的聆赏经验
Super Audio CD (SACD)是由Sony和Phillips所研发出的高解析度音质规格,提供极佳的临场感并比一般CD可收录更长的播放时间。此 Hybrid SACD/CD可供聆听者在一般CD播放器与任何SACD的播放器播放,包括大部分(非全部)的Playstation 3 (PS3)游戏主机。
本系列专辑以包含详尽解说的全彩精装书式包装,解说中除了提供曲目介绍外,也包括原始LP封面与原始的解说册内容,以及过去未曾曝光过原始母带的照片。并且提供详细的母带重制过程说明与EMI Classics和Abbey Road录音室工程师如何将此录音转化为高音质规格的说明。
简介:
杰奎琳•杜普蕾是一位天才横溢、具有独特气质的大提琴家,她的恩师罗斯特洛波维奇曾说:“杜普蕾是下一代唯一可以承接、甚至超越我的大提琴家”。她的演奏全身心地投入,洋溢着自然的情感、饱满的激情、充沛的活力、丰富多彩的想象力、深刻的洞察力。她的琴声很容易就能分辨出来,强大的感染力让人无法不伫足倾听,将我们带入另一个精神世界,感受至纯的美丽与悲愁。正因为如此,在她过世了20多年后,依然为世人聆听和怀念。
她与巴比罗利合作的埃尔加大提琴协奏曲至今无人超越。埃尔加这部蕴含悲观色彩的挽歌作品,经杜普蕾的演绎,充满了自由的想象和惆怅的情怀,具有恢阔的胸襟与气度,凝聚着高贵的悲壮,“实现了一种连作曲者本身也会赞赏的理想” 。
埃尔加的大提琴协奏曲完成于1919年,也是埃尔加最后一部大型作品,这部协奏曲其实与埃尔加两首交响曲一样,均属后期浪漫时代的雄伟巨作,堪称埃尔加晚年最佳的作品。这是一首挽歌式的作品,紧凑、简练带有幻灭的性质,这部e小调大提琴协奏曲实际上足可与德沃夏克的b小调大提琴协奏曲并列为同类作品中最伟大的必传之作,现在它已经在大提琴曲目中占据了牢不可破的地位,成为埃尔加具有代表性的标志。埃尔加对管弦乐队的深刻洞察在此曲中也表现得非常明显,他使用了配制整齐的大型乐队,但所写的协奏声部却极其精简,这使得独奏大提琴相对来说容易突出。
戴留斯的大提琴协奏曲也很让人迷醉。因为这是个单乐章的作品,它就更像一首音诗,而非通常意义上的协奏曲。它融聚了作曲家的所有气质,细腻、怅婉、迷离而亲切,在追风逐云的浪漫中流露出对旧日时光的深深眷念之情。英国管的幽寂鸣奏为乐曲笼上了凄黯之意,大提琴更带着萧瑟悲情沉吟而来,真有心绪逢摇落、秋声不可闻之慨。音乐在抚今追昔中交织着失落、遥望、依恋与温情,似梦迷离、柔肠百转;漫漫情愁飞拂流幻,萦萦波心碎缕绵飘。软风牵惹了微醺醉意,树影轻唤着连绵春思。远山空寂,却在疏寥间显现出天宇之旷阔;大地苍茫,却于宽广中散发出质朴的气息。滟滟凌波忽而荡起激越心潮,依依斜阳却又投下迷情别绪;更有一缕金色尘埃带着莫名的牵挂静静飘落于沉默的心间,流露一涓温情,悄然抚慰了幽冷的孤寂。
这首协奏曲完成于1921年,从创作历程上看,它已经是戴留斯的后期之作,这一年他59岁。虽然还未走到人生的尽头(72岁卒),他却遭逢了许多心灵上的打击。一战的降临搅扰了他的宁静生活,战争的恐怖亦给这位内向孤僻艺术家的心里投下了阴霾暗影。他在这期间写下了一部安魂曲,以寄托内心复杂苦闷的情怀。从1916年起,他的身体渐渐麻木瘫痪,双眼也渐渐失明;谱写这首协奏曲时,他的健康状况大致上是这个样子。因此我们在音乐的一开篇就能触及作曲家哀叹迟暮的感怆之情。其后的大段旋律都在伤怀与追忆间交迭辗转,音乐如同幻梦中的一缕微明,漂游萦绕、络绎不绝,将无尽情愫融入缠绵的怅叹中。但善感的作曲家始终怀着一份淡泊心性,纡徐百转之后,乐曲并未在怨艾绝望里终结,而是归于平和宁静。这自然清美的转合,遂令全曲回味醇长。
此外,这张专辑还收录了戴流斯的离别之歌。
这些经典专辑是第一次被新制作为高音质规格的产品,提供欣赏者更清晰与细节的聆赏经验
★原始录音年份:1965/1964年
戴流士&艾尔加:大提琴协奏曲 2SACD
◎ 戴流士&艾尔加:大提琴协奏曲
◎ 杜普蕾〈大提琴〉巴毕罗里〈指挥〉伦敦交响乐团、珍奈贝克〈次女高音〉沙坚特爵士〈指挥〉皇家爱乐
◎ Delius/Elgar: Cello Concertos
◎ Jacqueline du Pré
★ 原始录音年份:1965/1964年
编号:5099995590523
条码:5099995590523
ISBN:5099995590523
出版社:Gold Typhoon
出版日期:2012/04/13
杜普蕾(大提琴)巴毕罗里(指挥)伦敦交响乐团、珍奈贝克(次女高音)沙坚特爵士(指挥)皇家爱乐 / 戴流士&艾尔加:大提琴协奏曲 (2SACD) Delius/Elgar: Cello Concertos Jacqueline du Pre / Signature Collection (2SACD)
唱片公司:Gold Typhoon Music
音乐类型:古典音乐
唱片编号:5099995590523
发行日期:2012年04月13日
进口专辑 / SACD / 2 片装
这是EMI有史以来最成功古典音乐唱片制作,于1965年8月19日在伦敦著名金斯威音乐厅(Kingsway Hall)的录音。12个月后,这张唱片成为音乐评论家的年度首选。21年过去,当它被转制成CD的时候,人们对它的热情没有随着时间的流逝而减少。杜普蕾的唱片录音不多,每张都是乐迷的宠儿。
杜普蕾是上世纪60年代前后成名的大提琴家,当世人惊叹于她的成就时,却患上罕见的疾病——纤维硬化症;疾病中断了她的演奏生涯,也切断了她短暂的一生,艾尔加的这部大协也成了演奏者不幸的写照。她深入探索乐曲的内在世界、巨细无遗地呈现每个乐句与细节的演出,为此曲的经典之作——充分表达出痛苦与温柔。
这个曲目是埃尔加在协奏曲领域的最高成就,而杜普蕾变幻多彩的音色更为这部作品增加了魅力,她的演奏充满了自由的想象和惆怅的情怀,在第一乐章和第三乐章的深长的呼吸中,没有一个大提琴家能比得上她的那种情感投人,同时,她还传达出一种特殊的沉思意味。巴比罗利爵士指挥的伦敦交响乐团热情有力,对乐曲之领悟力极高。由于年代关系,该版录音虽然不够细腻,但临场感极佳,音场的平衡感也恰到好处。
作曲:Edward Elgar
大提琴:Jacqueline Du Pre
次女高音:Dame Janet Baker
指挥:Sir John Barbirolli
演奏:London Symphony Orchestra
录音:19.8.1965, Kingsway Hall, London,& 30.8.1965,No.1 Studio, Abbey Road
Recording the Cello Concerto in Kingway Hall (photo David Farrell, EMI Records Ltd)
e小调大提琴协奏曲,Op.85
Cello Concerto in E minor
在传统上,史诗通常是以祈求文艺女神缪斯为开端,而埃尔加便是以向巴赫祈求的曲风来展开这首四个乐章的协奏曲,手法别出心裁。他让独奏者拉出一段宣叙调,呼应巴赫的六首《无伴奏大提琴组曲》,当这段阴暗的序曲结束后,中提琴加入第一乐章的主题,以温和摇荡的9/8拍表达出曆尽沧桑的悲叹,埃尔加以此为基调,发展出整首曲子。
这首1919年完成的大提琴协奏曲,是埃尔加运用管弦乐团的最后一首作品,也是他最深切的自白。当时他病痛缠身,又曆经一次世界大战,让他陷入深切的失望情绪中,他将这些情绪一古脑宣泄于这首原本不太适合大提琴演奏的协奏曲中——但是考虑到大提琴丰富且深沉的特性,与热烈但阴暗的音色,也许此曲还是很适合大提琴的。
四个乐章依序由前一乐章衍生,就如同一个狂想的曲思——以埃尔加对主题材料的纯熟运用看来,的确如此。第一乐章葬礼般的开场,尽管曲中仍有田园风味的短暂缓解,但是全曲弥漫着幻灭与受苦的感觉,有时表现为向生命的呐喊抗议,但多半为低调地痛苦抒发。之后是由单簧管奏出12/8拍的抒情第二主题,有西西裏舞曲的优雅曲风。第二乐章大提琴先以拨弦方式奏出开端的宣叙调,第一乐章主体为谐谑曲风的G大调常动曲。优美的慢闆乐曲,将交响曲的规模变成室内乐,而大提琴隻吟唱了一个小节。
在终乐章的回旋曲裏,埃尔加在世界大战前的豪气依稀可见,但稍纵即逝。该乐章回顾了前面乐章的一些旋律片段,然后迈向苦楚与认命的高潮,陪衬的装饰乐段取用了慢闆主题的乐句。埃尔加彷佛在向过去的快乐时光道再见,中断这段挽歌,全曲在回旋曲主题的临去秋波中嘠然而止。
《海景》管弦乐队伴奏声乐套曲(1899),Op. 37
The song cycle Sea Pictures for Orchestra
埃尔加作为浪漫派作曲家终身不渝,虽然成熟时期茂盛的风华凝聚为老年人的深思和怀旧。他喜爱色彩变化,对乐队的驾驽在当时无出其左右。作品的充沛感情驳斥了某些人认为英国音乐应当稳重、含蓄的看法。
英国素来有合唱音乐的传统,从亨德尔到布裏顿的英国作曲家都是写作合唱曲的能手,埃尔加自然也是个中翘楚。《海景》是歌咏位于海上的英伦三岛种种细节小事,也让人一开始就感染到那种浪漫派雄伟气势下所要捕捉的海上风景。他的这部作品至今仍被认为是歌唱套曲中堪与舒伯特和舒曼的同类作品媲美之作。
詹妮特·蓓克(Janet Baker,1933-),英国女中音歌唱家。曾从伊赛普、圣.克勒和洛蒂.雷曼学习声乐。1959年获皇家音乐学院皇后奖。1965年成功地扮演了《狄东与伊尼阿斯》中的狄东,正式开始其歌唱生涯。后往返演出于英美各地及其他国家,是艺术歌曲和清唱剧演唱家,也曾在一些歌剧中任主角。1977年英国女王授予英国皇家妇女大绶勋章。蓓克的演唱高度重视词意曲情的诠释表达,嗓音优美,表情细致,吐字清晰。埃尔加唯一的声乐套曲《海景》正是因为蓓克夫人的这张经典录音而为人所知。
Release Date: 09/07/2004
Label:Emi Great Recordings Of The Century Catalog #: 62887 Spars Code: ADD
Composer:Sir Edward Elgar
Performer:Jacqueline Du Pré,Dame Janet Baker
Conductor:Sir John Barbirolli
Orchestra/Ensemble:London Symphony Orchestra,Philharmonia Orchestra
Number of Discs: 1
Recorded in: Stereo
Length: 1 Hours 9 Mins.
Notes and Editorial Reviews
This is a “Great Recording of the Century” if ever there was one. Recorded more than forty years ago it sounds as fresh as ever and, honestly, so much has been written about these readings that there is very little to add. I don’t know about the sales figures but I suspect that there must be a worn LP or a CD in practically every music-lover’s collection.
Those few who have resisted earlier bets should definitely hasten to the nearest record store now, especially since this latest incarnation also includes Sir John’s sparkling version of Cockaigne for good measure. With rasping trombones, blazing trumpets and the Philharmonia strings velvety but incisive this is as ebullient a reading as one can come across; a charming picture postcard of Edwardian London. It wouldn’t be Barbirolli if he didn’t linger lovingly over the lyrical pages. First and foremost, though, this is carefree and jolly music – Elgar at his most outgoing.
But of course it is for the other two works that most people will want this disc. Today Elgar’s Cello Concerto is a standard work in concert halls around the world, challenging even the Schumann and Dvo?ák concertos. I believe that this is to a certain extent thanks to the present recording. From the very start one can feel the almost transcendental rapport between the young soloist, barely turned twenty, and the ageing maestro. One can dip into the recording at almost any point and feel the magic. Take the opening of the third movement which is played with such simplicity that it feels like sacrilege even to breathe. Try also 9:10 in the last movement where the LSO strings swell so unforgettably. There is an inevitability about the whole performance that is not easy to analyse or rather, as with most great works of art, analysis often tends to obscure instead of clarify wherein the greatness lies. Why is Mona Lisa such an undisputed masterpiece? Both the painting and this recording go directly to the heart.
And that is exactly what Janet Baker’s singing of Sea Pictures also does. Back in the early 1970s I first heard Where Corals Lie on a Janet Baker sampler LP. I have long since lost count of how many times we played this song. Later, when we found out that it was actually part of a song-cycle, we enlarged our collection and found that the song made an even greater impression in its rightful setting. It is so magically performed here. It ranges from the frail Sea Slumber Song via the serene beauty of In Haven to the sacred solemnity of Sabbath Morning at Sea and the powerfully dramatic declamation of The Swimmer, all backed up by a Wagnerian orchestra. The purity of tone is amazing, absolutely even from top to bottom, from the hushed pianissimo to the full-voiced final pages of Sabbath Morning and most of the Swimmer.
Behind and above Jacqueline du Pré and Janet Baker looms Sir John’s spirit, loving and sensitive. Yes, indeed: Among the many jewels in the GROC series this one shines possibly brighter than any of the others.
-- Göran Forsling, MusicWeb International
Performer: Jacqueline Du Pre, Janet Baker
Orchestra: London Symphony
Conductor: John Barbirolli
Composer: Edward Elgar
Audio CD (September 16, 1997)
Number of Discs: 1
Label: EMI Classics
ASIN: B000002RX7
5.0 out of 5 stars Elgar Cello Concerto with DuPre April 10, 2000
By KH
Format:Audio CD
There is no greater recording of this piece--everything is flawless: peerless solo playing from DuPre, totally sympathetic accompaniment from Barbirolli, and recorded sound that sounds like it was done yesterday. The sheer emotion from both soloist and conductor is almost shocking--fierce, lamenting, nostalgic, wistful; whatever the piece calls for, they supply it. It's interesting how a very young soloist (DuPre was 20 when the recording was made) and an older conductor (Barbirolli was 66) should seem so sympatico with one another. Indeed, it's amazing how penetrating DuPre's interpretation is for someone so young--she doesn't just play the piece, she IS the piece!
The cello concerto is one of the 2 or 3 greatest ever composed. Sea Pictures is a lesser work--not a masterpiece, but the performance here is so definitive that Baker and Barbirolli almost make it SOUND like a masterpiece. Mediocre poetry, very good music, and a great recording. Again, the sound is first class.
For years, EMI had a series of recordings called "Great Recordings of the Century." This is surely one that earned the moniker.


红颜弹指老,刹那芳华 发行时间: 2012年04月13日 专辑曲目: Cello Concerto in E minor, Op 85
01. I Adagio - Moderato
02. II Lento - Allegro molto
03. III Adagio
04. IV Allegro - Moderato - Allegro, ma non troppo
Sea Pictures, Op 37
05. - I Sea Slumber-Song
06. II In Haven (Capri)
07. III Sabbath Morning at Sea
08. IV Where Corals Lie
09. V The Swimmer 版本: 2 [SACD-r] 古典类型: 全集作品 专辑英文名: Elgar: Cello Concerto,Sea Pictures 语言: 英语 专辑中文名: 大提琴协奏曲埃尔加,戴流士
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@是风精品资源 | Jacqueline Du Pre -《大提琴协奏曲 埃尔加,戴流士》(Elgar: Cello Concerto,Sea Pictures)2 [SACD-r] 下载页面
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  • Jacqueline.Du.Pre.-.[Elgar.Cello.Concerto,Sea.Pictures].专辑.(SACD-r).iso
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